| God snaps your picture : don't look away -- | 
| this room right now, your face tilted | 
| exactly as it is before you can think | 
| or control it. Go ahead, let it betray | 
| all the secret emergencies and still hold | 
| that partial disguise you call your character. | 
| Even your lip, they say, the way it curves | 
| or doesn't, or can't decide, will deliver | 
| bales of evidence. The camera, wide open, | 
| stands ready; the exposure is thirty-five years | 
| or so -- after that you have become | 
| whatever the veneer is, all the way through. | 
| Now you want to explain. Your mother | 
| was a certain -- how to express it? -- influence. | 
| Yes. And your father, whatever he was, | 
| you couldn't change that. No. And your town | 
| of course had its limits. Go on, keep talking : | 
| Hold it. Don't move. That's you forever. | 
| William Stafford An Archival Print | 
Tuesday, July 22, 2014
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